Analyzed statements
Lula fala com Wagner Moura e Kleber Mendonça Filho
51 classified statements · 1 politicians · January 14, 2026 · 4 min
Statements by Luis Inacio Lula da Silva. 51 excerpts classified by topic and stance. Topics: Culture, Democracy.
Speakers
Luis Inacio Lula da Silva48
Classified statements
Excerpts classified by topic and stance. This is not the full transcript of the video.
Desconhecido
0:12
Hi, how are you, Wagner?
Desconhecido
0:04
Hi, my friend, how are you?
Desconhecido
0:05
I'm here with Kleber.
Luis Inacio Lula da Silva
0:13
Hi, Nanda, good morning.
Luis Inacio Lula da Silva
0:17
Good morning, Kleber.
Luis Inacio Lula da Silva
0:17
I'm here with the president; he's going to speak with you.
Luis Inacio Lula da Silva
0:19
It's great that you're with Wagner.
Luis Inacio Lula da Silva
0:20
It's great to speak with you all.
Luis Inacio Lula da Silva
0:21
Good morning, Wagner.
Luis Inacio Lula da Silva
0:21
Good morning, Kleber.
Luis Inacio Lula da Silva
0:21
Good morning, President.
Luis Inacio Lula da Silva
0:22
This phone call is just a gesture of recognition of the greatness of Brazilian cinema.
Luis Inacio Lula da Silva
0:32
of the greatness of our Kleber and of the greatness of our Wagner.
Luis Inacio Lula da Silva
0:36
It's great to see that.
Luis Inacio Lula da Silva
0:38
I think it was an extraordinary show, Wagner and Kleber.
ForLuis Inacio Lula da Silva
0:43
About: require public broadcasters to show national films
I think that next time we'll announce here in Brazil that we'll make it mandatory for public networks to carry national films, you know?
Why it was classified this way · 92% confidence announces 'obrigatoriedade' for public networks to screen national films.
Luis Inacio Lula da Silva
0:56
It's—I don't know—how many hundreds of films we're going to air.
ForLuis Inacio Lula da Silva
1:00
About: require public broadcasters to show national films
Every day the Brazilian people have the right to know what Brazilian cinema is.
Why it was classified this way · 85% confidence states that the people have the right to know Brazilian cinema, supporting the measure.
Luis Inacio Lula da Silva
1:04
That's very important.
Luis Inacio Lula da Silva
1:07
The ability we have to see ourselves on screen, to appear in a series, in a film, or at the cinema, is extremely important.
Luis Inacio Lula da Silva
1:15
What I think is that your role and the recognition of the quality of the film, of the quality of our artist, Wagner, is a demonstration that we must not diminish ourselves before anyone.
Luis Inacio Lula da Silva
1:30
We have personality, we have history, we have roots.
Luis Inacio Lula da Silva
1:37
We just need to put it into practice with all the dignity that a human being should have.
Luis Inacio Lula da Silva
1:43
And what you said in the speech, Wagner, and what Kleber said afterwards, was very important.
Luis Inacio Lula da Silva
2:01
And what you said about democracy in Brazil was very important.
Luis Inacio Lula da Silva
2:03
everywhere we go.
NeutralLuis Inacio Lula da Silva
2:05
About: value Brazilian culture
And how culture and democracy go hand in hand.
Why it was classified this way · 70% confidence states that culture and democracy go hand in hand, without calling for specific action.
Luis Inacio Lula da Silva
2:09
As people ask — how do you see the current moment for Brazilian culture?
NeutralLuis Inacio Lula da Silva
2:12
About: strengthen democracy in Brazil
Since democracy returned to Brazil, I think we've once again had a democratic government.
Why it was classified this way · 70% confidence comments on the return of democracy without explicitly advocating action.
Luis Inacio Lula da Silva
2:17
that we started to have again in our production: our film, theatrical, and cultural production.
Luis Inacio Lula da Silva
2:23
Brazil is a country with a vocation for culture.
Luis Inacio Lula da Silva
2:26
And I dedicated the award to young filmmakers in Brazil, because I think it's a great moment to make films.
NeutralLuis Inacio Lula da Silva
2:29
About: invest in cultural production
And we have support mechanisms.
Why it was classified this way · 68% confidence mentions the existence of support instruments without presenting a new proposal.
ForLuis Inacio Lula da Silva
2:36
About: invest in cultural production
And we will continue funding, because culture is effectively one of the most sacred things in the construction of a country's personality.
Why it was classified this way · 90% confidence explicitly says 'vamos continuar financiando', proposing to maintain/strengthen public funding.
NeutralLuis Inacio Lula da Silva
2:47
About: invest in cultural production
This is very clear with the whole trajectory of the secret agent of so many Brazilian films that were made within the public financing system.
Why it was classified this way · 65% confidence refers to the public financing system as a historical trajectory, without proposing change.
Luis Inacio Lula da Silva
2:58
So, from now on, my dear, you have increased our strength; you have now become a symbol that in Brazil, when we believe, nothing is impossible.
Luis Inacio Lula da Silva
3:10
That's it.
Luis Inacio Lula da Silva
3:11
And now we're on the way to the Oscars.
Luis Inacio Lula da Silva
3:14
That's right, on the road to the Oscars.
Luis Inacio Lula da Silva
3:15
And we're lucky, huh?
Luis Inacio Lula da Silva
3:18
Let's go that way.
Luis Inacio Lula da Silva
3:19
Congratulations, Wagner, and to everyone.
Luis Inacio Lula da Silva
3:21
Congratulations to you, Kleber.
Luis Inacio Lula da Silva
3:24
May God bless you, dear.
Luis Inacio Lula da Silva
3:27
Stay strong, stay strong, stay strong, stay strong, stay strong, dear.
Luis Inacio Lula da Silva
3:30
Boys, a big kiss.
Luis Inacio Lula da Silva
3:31
And I wanted to ask if you saw Mrs. Tânia watching the prevention.
Luis Inacio Lula da Silva
3:36
She's very dear, folks.
Luis Inacio Lula da Silva
3:42
A kiss, boys.
Luis Inacio Lula da Silva
3:44
A kiss to everyone in the production and to the actors.
Luis Inacio Lula da Silva
3:47
A big kiss.
AI classification from the transcript of a public video. See the Methodology